The library museum ruptures our habitual schema for what to do when confronted with a text. We cannot comprehend the sentences, the words, the script itself even. And furthermore. we are not meant to,…
In 1910, a mouse named Ignatz first beaned Krazy Kat with a brick. The plot of this comic strip, centered on a “heppy go lucky kat,” is simple. Krazy Kat loves Ignatz Mouse. Officer Pup loves Krazy…
“I’ve been collecting these theories of why writers write because so many writers have written about it.”
“I do not choose to be a secondary object.”
The World Cup kicks off today in Qatar. To many people the entire extravaganza is one giant laundromat, a sports-wash of global proportions, designed to rinse clean the dirty laundry accumulated during the gulf state’s decade-long preparation for the event. An estimated six thousand five hundred migrant workers from India, Pakistan, Nepal, Bangladesh, and Sri Lanka were reportedly killed during the stadiums’ construction in the last ten years. To memorialize them, the Danish team will wear subdued colors and hold black in reserve as its third strip. Yet despite Qatar’s grim politics and dubious human rights record, particularly with regard to LGBTQ rights for both residents and visitors (criticism vigorously rejected by Qatar’s rulers as “slander”), FIFA projects that five billion of us on this dying planet will feel compelled to watch.
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