The Economist
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The best horror films swapped jump scares and violence for existential dread
Its troubled decades are over, but where are the tourists?
America’s exceptionalism, write Alan Greenspan and Adrian Wooldridge, The Economist’s political editor, is a result of its embrace of creative destruction
The country’s supreme court decides that overseas employees of Swiss banks can leak away
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The opportunity costs of producing beef rather than broccoli are immense
