Sally Woodward Gentle and director Damon Thomas discuss exactly what goes down between Eve and Villanelle.

According to subtitle data, this may explain why the final seasons felt markedly different from the earlier ones.

A French paper raises ethical questions about how director Abdellatif Kechiche filmed his critical bomb.

These Cannes 2019 highlights still need homes. Somebody do something!

Here’s evidence that the writers tried to create a different ending for the HBO series’ finale.

Even if you guess the twist ending, Netflix's pulpy thriller is still incredibly satisfying.

Bong Joon-ho's brilliant family saga captured modern anxieties, but it wasn't alone.

One scene in "Parasite" features a character mocking a North Korean television presenter, but Bong says not to look too much into it.

Now that Disney owns 20th Century Fox, the Marvel Cinematic Universe has unlimited access to X-Men characters.

Bong Joon-ho is now the first Korean filmmaker to win the Palme d'Or at the Cannes Film Festival.

From "Lady Bird" to "Dope," "Love, Simon" to "Booksmart," the aughts' own teenage decade has offered up some genuine high school classics.

The South Korean filmmaker makes history with his acclaimed drama "Parasite."

Alejandro González Iñárritu and his jury will announce the festival's best performances and films.

If you've never seen "The World's End," don't watch the trailer that's playing on Netflix.

Polish actor Rafał Zawierucha appears as the "Rosemary's Baby" director in Tarantino's latest movie.

The psychological horror film from Robert Eggers stars Willem Dafoe and Robert Pattinson in a pair of acclaimed performances.

Plus, Herzog Knew he could pull off playing a "Star Wars" bad guy with ease.

The actor and Phoebe Waller-Bridge dissect the smoldering chemistry between Fleabag and the so-called Hot Priest.

Twenty-one directors are in the running to win the Palme d'Or at Cannes this year.

While Quentin Tarantino and "Rocketman" didn't disappoint, there was a whole lot more cinema to celebrate in Cannes this year.

Filmmakers, distributors, and others shared their thoughts on the medium's unpredictable future.

Mike Kelley's anthology thriller is an addictive, tongue-in-cheek homage to '90s neo-noir, packed with preposterous melodrama and juicy twists.

The VFX powerhouse created more than 600 shots, including 30,000 zombie Wights and thousands of Dothrakis with flaming swords.